...his method of working demands near-total immersion in the life of his character. Despite the fact that he is the most eloquent of men, able to speak extemporaneously in flowing paragraphs without the use of colloquialisms, he is unwilling to expose the mechanics of his acting process. “It’s not that I want to pull the shutters down,” Day-Lewis said, as he finished his sandwich. “It’s just that people have such a misconception about what it is I do. They think the character comes from staying in the wheelchair or being locked in the jail or whatever extravagant thing they choose to focus their fantasies on. Somehow, it always seems to have a self-flagellatory aspect to it. But that’s just the superficial stuff. Most of the movies that I do are leading me toward a life that is utterly mysterious to me. My chief goal is to find a way to make that life meaningful to other people.”
...For his films, at least initially, imagining the life of his characters often involves a kind of physical invention of their world. During “Last of the Mohicans,” he built a canoe, learned to track and skin animals and perfected the use of a 12-pound flintlock gun, which he took everywhere he went, even to a Christmas dinner... For “There Will be Blood,” he studied the historic period for nearly two years and became comfortable with the tools of California oilmen circa 1900.
Wednesday, November 14, 2007
Daniel Day Lewis In NY Times Magazine
For Megan - NY Times Magazine's interesting profile of Daniel Day Lewis as part of his new movie. The New Frontier’s Man